This steamer trunk, belonging to Anne Sheldon-Duplaix, traveled back and forth with her grandparents between New York and Europe, holding all their possessions until it was passed to her parents’ home in Northern France, and then on to her. She used it to store a carefully curated fabric collection and her dreams of becoming a clothing seamstress. One day, Anne opened the trunk and began sewing clothes for her daughter, which led her to open a children’s clothing shop by constructing clothes from the fabric stored in the steamer trunk at her East Village, NYC home.
“We’d been searching for a home in Park Slope for what seemed like forever,” she says. “At one point we tried to buy a big house with friends and split it in half, but it got very complicated very quickly. About that time I said to Jonah, ‘we just need a little house, where are the little houses?’ When we saw our house we both said: ‘it is definitely little!’ But compared to what we were used to, even though it’s only 12 feet wide it really is a lot of house. On top of that, it has a lot of original detail, gorgeous ceiling moldings, original stained glass. I’m sure I was staring at those pretty windows while ignoring words like ‘complete electrical/plumbing updates,’ [and] ‘mechanical redo’.”
Image Above: Nasozi Kakembo shares how important it is to showcase images and reminders of her family and Ugandan heritage for the benefit of her son in their Bed-Stuy, Brooklyn brownstone tour. This wall-hanging comes from Nasozi’s family, purchased in Liberia by her mother in the 1970s, “although the design provenance is Ivory Coast.” It is an example of her deliberate decorative process to instill a global and empathetic worldview in her son through the objects she places in her home.
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