Creating a space that was colorful, informal, incorporated furniture inherited from Betsy’s grandparents (traditional on one side and mid-century from the other), and that could handle two wild boys, was essential. Betsy is most thankful for the former stables that became her studio, originally thinking that she would have to rent a studio before they found their home. Betsy explains, “The feeling of old time past and rustic white wood are so brand-friendly. It’s a luxury to work while the boys are home and at night without leaving the house. I also bring them into the studio to make projects like tie dying and painting. Plus I like for them to be exposed daily to my work and to art and design — I hope to inspire them.” She also never takes the open space for granted, especially during the long winters. Betsy adds, “They run around, build obstacle courses, and shoot Nerf bullets all over the place. It really helps keep them ‘out of my bubble’ and I can see everything they’re doing while cooking, etc.”
Image above: “We are lucky that only a few families lived here before us, which is pretty [remarkable] considering she’s not a young house — part of the demo included removing gas lamp infrastructure,” Sam says. “And while we’re not the first family in Brooklyn looking to maximize square footage, when you’re working with just 12 feet across it takes on a whole new meaning.” By opening up the stair wall, Sarah was able to elongate the home’s design and make the space feel much larger. Chairs upholstered by Studio Four in their teal Jackie fabric, with Flock‘s Northmore Minor Teal fabric on the back.
Hildegard Haave’s home in Selbu, Norway showcases a handful of family heirlooms like this mahogany dresser from her grandparents. She explains that it used to live in their home office where she would play with her grandfather’s typewriter while he worked.
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