Hildegard Haave’s home in Selbu, Norway showcases a handful of family heirlooms like this mahogany dresser from her grandparents. She explains that it used to live in their home office where she would play with her grandfather’s typewriter while he worked.
“Always interested in the arts, we had early careers in the restaurant and plumbing businesses,” Vivian shares. “We married and settled in Oxford, MS in 1999 where we began our art careers and business in earnest. We are developing a sort of arts compound where we live, work and promote regional artists. We have taken our time reclaiming the acreage we acquired and look forward to the coming additions/evolution, including a sculpture garden in the field outside our home.” The arts compound she’s referring to is the rural art gallery she and Walter opened three years ago, sitting off the ground in a treehouse-like setting, aptly named The Oxford Treehouse Gallery, just 200 yards from their home. The gallery, as well as their home, houses a lot of their own art, too. Walter is an artist/blacksmith and Vivian is a painter and block printer.
Kristen’s Storied Home in Kansas City is full of furniture and jewelry passed down from family members, but she is particularly sentimental about this buffet made by her grandfather and great-grandfather in 1963 (and considers it one of her most precious possessions). She uses the made-up word anemoia from John Koenig’s Dictionary of Obscure Sorrows, meaning “a pang of nostalgia for times you’ve never experienced,” to describe her love affair with objects that tell stories of the past.
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