Image Above: Nasozi Kakembo shares how important it is to showcase images and reminders of her family and Ugandan heritage for the benefit of her son in their Bed-Stuy, Brooklyn brownstone tour. This wall-hanging comes from Nasozi’s family, purchased in Liberia by her mother in the 1970s, “although the design provenance is Ivory Coast.” It is an example of her deliberate decorative process to instill a global and empathetic worldview in her son through the objects she places in her home.
Kristen’s Storied Home in Kansas City is full of furniture and jewelry passed down from family members, but she is particularly sentimental about this buffet made by her grandfather and great-grandfather in 1963 (and considers it one of her most precious possessions). She uses the made-up word anemoia from John Koenig’s Dictionary of Obscure Sorrows, meaning “a pang of nostalgia for times you’ve never experienced,” to describe her love affair with objects that tell stories of the past.
If you could completely reimagine your life, unbeholden to your past, what would it look like? When Sarah Reid’s son Zane turned 18, she experienced a “what am I doing with my life?” moment. She’d been working in non-profit administration but had always wanted to do interior design for spaces that served low-income communities. Thus was born her business, Small Victories Design. A move from Massachussetts to California facilitated this transformation. In the move, Sarah left behind thrifted finds that filled her attic, basement, and garage. As a “borderline hoarder,” leaving them behind proved difficult. But in having the courage to let go of one incarnation of herself (and most of the objects that made up that life) she embraced another.
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